| Attack (TY-50 Dynamics) | menu_setting | — | In compression mode: time for gain to be fully reduced after crossing threshold. In shaper mode: shortens or lessens attack transients.282 |
| Bandwidth | menu_setting | — | Sets the sampling frequency of the delay line. Doubles delay time with each step down.282 |
| Base Freq | menu_setting | — | Sets the frequency of the lowest bandpass filter. Shifts all bands together with respect to the Ratio setting.282 |
| Bit Depth (2051 Bit Corrupter) | menu_setting | — | Sets the bit depth of the dry signal.282 |
| Bit Depth (Digi-PCM Echo) | menu_setting | — | Sets the bit depth of the delay line.282 |
| Brightness | menu_setting | — | Changes timbre of the spring sound.282 |
| Buffer Size | menu_setting | 1ms – 1000ms | Sets the size of the buffer in ms when clock is internal. Ranges from 1-1000ms (Mono) and 1-500ms (Stereo and Dual modes).282 |
| Burst | menu_setting | — | Enables a burst of grains triggered by the Clk input.282 |
| Clock (2051 Bit Corrupter) | menu_setting | — | Sets if the buffer size is based on internal (INT) or external (EXT) clock.282 |
| Clock (Digi-PCM Echo) | menu_setting | — | Sets if the delay time is based on internal (INT) or external (EXT) clock.282 |
| Clock (Tape-Tech Echo) | menu_setting | — | Sets if the delay time is based on internal (INT) or external (EXT) clock.282 |
| Clock Mult (2051 Bit Corrupter) | menu_setting | — | Sets the buffer length as a multiple of the incoming clock pulse when clock is set to external.282 |
| Clock Mult (Digi-PCM Echo) | menu_setting | — | Sets the buffer length as a multiple of the incoming clock pulse when Clock is set to external.282 |
| Clock Mult (Tape-Tech Echo) | menu_setting | — | Sets the buffer length as a multiple of the incoming clock pulse when Clock is set to external.282 |
| Cutoff | menu_setting | 20Hz – 20000Hz | Sets the cutoff of the filter. Ranges from 20Hz to 20kHz.282 |
| Damping (Almicon Reverb) | menu_setting | — | Darkens the reverb tail, both shortening its length and reducing high frequencies.282 |
| Damping (Quaidra Reverb) | menu_setting | — | Darkens the reverb tail, both shortening its length and reducing high frequencies.282 |
| Damping (Slinky Reverb) | menu_setting | — | Sets the amount of feedback into the spring. Lower values equal longer, more resonant decays.282 |
| Damping (Yetti Reverb) | menu_setting | — | Darkens the reverb tail, both shortening its length and reducing high frequencies.282 |
| Density | menu_setting | — | Sets the number of grains.282 |
| Depth (Ensembles Ensemble) | menu_setting | — | Sets the depth of modulation.282 |
| Depth (Multi Phaser) | menu_setting | — | Sets how pronounced the notches are (depth of the phasing effect).282 |
| Diffusion | menu_setting | — | Reduces or increases the uniformity of the reverb tail, causing reflections to appear more distinct or thicker.282 |
| Drive (TH-30 Distortion) | menu_setting | — | Sets the amount of drive into the selected distortion type.282 |
| Env Follow (Freq Shifter) | menu_setting | — | Enables envelope following to control the dynamics of the frequency shifted signal. Frequency Shifter mode only.282 |
| Era (Almicon Reverb) | menu_setting | — | Toggles the quality of the underlying reverb algorithm: '80s' uses lower bit depth with grainy sound and poor clipping resilience; 'NOW' has much higher resolution and improved saturation.282 |
| Era (Quaidra Reverb) | menu_setting | — | Toggles algorithm quality: '90s' uses lower bit depth with grainy sound and poor clipping resilience; 'NOW' has higher resolution and improved saturation.282 |
| Fade In | menu_setting | — | Applies a smoothing envelope to the attack and decay of repeats in the buffer.282 |
| FB Comb | menu_setting | — | Sets the position of the comb filter effect caused by the feedback control.282 |
| Feedback (Crumbular Echo) | menu_setting | — | Sets the amount of feedback into the delay buffer.282 |
| Feedback (Multi Phaser) | menu_setting | — | Sets the amount of feedback, narrowing the shape of the notches as it is increased.282 |
| Feedback (Tape-Tech Echo) | menu_setting | — | Sets the amount of feedback into the delay buffer.282 |
| Feedback (Ursa Minor Echoverb) | menu_setting | — | Sets the amount of feedback into the delay buffer.282 |
| Filter Mode | menu_setting | — | Selects the filter type: no filtering, low pass, high pass, or band pass.282 |
| Flip Phase | menu_setting | — | Inverts the phase of the delay line.282 |
| Freeze (Pocket PL8 Reverb) | menu_setting | — | When enabled, reverb tail decay is disabled and the reverb is frozen. A trigger at the Clk input will refreeze.282 |
| High Cut (Crumbular Echo) | menu_setting | — | Sets the cutoff frequency of a low-pass filter in the delay line.282 |
| High Cut (Digi-PCM Echo) | menu_setting | — | Sets the cutoff frequency of a low-pass filter in the delay line.282 |
| High Cut (Freq Shifter) | menu_setting | — | Sets the cutoff frequency of a low-pass filter on the wet signal. Frequency Shifter mode only.282 |
| High Cut (Ursa Minor Echoverb) | menu_setting | — | Sets the cutoff frequency of a low-pass filter in the delay line.282 |
| High Cut (Yetti Reverb) | menu_setting | — | Sets the cutoff frequency of a low-pass filter after the reverb tail.282 |
| Length (Slinky Reverb) | menu_setting | — | Sets the length of the spring and therefore the overall size of the reverb. High values reach more into echo territory.282 |
| Lock In | menu_setting | — | Loops playback of the buffer, even if there is no audio in it.282 |
| Loop | menu_setting | — | Loops the currently stored delay buffer.282 |
| Low Cut (Crumbular Echo) | menu_setting | — | Sets the cutoff frequency of a high-pass filter in the delay line.282 |
| Low Cut (Quaidra Reverb) | menu_setting | — | Sets the cutoff frequency of a high-pass filter on the reverb tail.282 |
| Low Cut (Ursa Minor Echoverb) | menu_setting | — | Sets the cutoff frequency of a high-pass filter in the delay line.282 |
| Low Cut (Yetti Reverb) | menu_setting | — | Sets the cutoff frequency of a high-pass filter after the reverb tail.282 |
| Make Up Gain | menu_setting | — | Sets the final output gain of the compressed or shaped signal.282 |
| Max Frequency | menu_setting | — | Sets the maximum frequency that bands can reach before being reflected.282 |
| Max Repeats | menu_setting | ≤10 | Maximum number of repeats that may occur with every glitch, up to 10.282 |
| Mix | menu_setting | 0% – 100% | Sets the wet/dry blend. At 0% only the dry input is heard; at 100% only the wet effect signal is heard. Can be globally disabled and locked to 100% wet via the Utilities program.282 |
| Mix Type | menu_setting | — | PRE: applies Bit Depth and Sample Rate reduction pre-mix to both dry and wet signals. PST: applies reduction post-mix to wet signal only.282 |
| Mod Clock | menu_setting | — | Sets if the modulation rate is based on internal (INT) or external (EXT) clock.282 |
| Mod Depth (Digi-PCM Echo) | menu_setting | — | Sets the depth of modulation over the delay time.282 |
| Mod Rate (Digi-PCM Echo) | menu_setting | — | Sets the rate of modulation over the delay time.282 |
| Mod Rate (Ensembles Ensemble) | menu_setting | — | Sets the modulation speed. Only visible if supported by the selected mode.282 |
| Mod Rate (Modulating Panner) | menu_setting | 0.05Hz – 8Hz | Sets the rate of modulation in Hz when clock is set to internal. Ranges from 0.05-8Hz.282 |
| Mod Rate (Multi Phaser) | menu_setting | — | Sets the modulation rate of the phasing.282 |
| Mode (2051 Bit Corrupter) | menu_setting | — | Sets the I/O mode: Mono (mono in/out, max 1000ms buffer), Stereo (stereo in/out, same random seed, max 500ms), Dual (stereo in/out, different random seeds per side, max 500ms).282 |
| Mode (Crumbular Echo) | menu_setting | — | Sets the mode to either mono or stereo.282 |
| Mode (Digi-PCM Echo) | menu_setting | — | Sets the delay mode: Mono Delay (single delay line, mono out), Dual Tap (pair of lines mixed to mono), Stereo Tap (pair of lines hard-panned), Ping Pong (swap sides each repeat), Ext Feedback (single mono delay using only left in/out; right output is send, right input is return).282 |
| Mode (Ensembles Ensemble) | menu_setting | — | Selects the chorus or ensemble mode: Juno I, Juno II + I, Alpha, RS I, RS II, Solina (mono), Wide, Vibrato.282 |
| Mode (Modulating Panner) | menu_setting | — | Sets the mode: Mono (pans left input between L and R outputs) or Scan (cross fades between left and right inputs to mono output).282 |
| Mode (Multi Phaser) | menu_setting | — | Sets the mode: Mono (mono in/out, up to 8 stages), Stereo (stereo in/out, up to 4 stages), Infinite Up (mono upward barber-pole, up to 4 stages), Infinite Down (mono downward barber-pole, up to 4 stages).282 |
| Mode (Ring + Freq Modulator) | menu_setting | — | Sets the mode to either ring modulation or frequency shifter.282 |
| Mode (Squoval Rezonator) | menu_setting | — | Sets the mode: Mono (mono in/out, up to 8 parallel filters) or Stereo (stereo in/out, up to 4 parallel filters per side).282 |
| Mode (TY-50 Dynamics) | menu_setting | — | Sets the dynamics processing mode: Stereo Compressor, Sidechain in R, Transient Shaper, or Stereo Expander.282 |
| Mode (Ursa Minor Echoverb) | menu_setting | — | Selects between reverb or echo modes.282 |
| Modulator (Ring Mod) | menu_setting | — | Selects between the internal modulation oscillator (INT) or external source (LxR). LxR mode expects carrier at left input and modulator at right, outputting in mono.282 |
| Num Active | menu_setting | 1 – 8 | Sets the number of active bands: 1-8 (mono) or 1-4 (stereo).282 |
| Osc Rate (Ring Mod) | menu_setting | 20Hz – 11000Hz | Sets the rate in Hz of the internal modulation oscillator. Ranges from 20Hz-11kHz.282 |
| Output Gain (TH-30 Distortion) | menu_setting | — | Reduces the final output of the distorted signal.282 |
| Pitch Destination | menu_setting | — | Routes the pitch shifter to either the delay's Feedback path or the Input signal.282 |
| Pitch Shift (Ensembles Ensemble) | menu_setting | — | Shifts the pitch of the incoming signal without affecting its time.282 |
| Pitch Shift (Tape-Tech Echo) | menu_setting | — | Shifts the pitch of the delay line without affecting the time.282 |
| Pitch Shift (Yetti Reverb) | menu_setting | — | 282 |
| Play Heads | menu_setting | — | Sets the number of tape read heads for the echo density. The middle head is less stable than the outer ones.282 |
| Pre-Delay (Almicon Reverb) | menu_setting | 0ms – 99ms | Delays the onset of the reverb tail. Ranges from 0-99ms.282 |
| Pre-Delay (Pocket PL8 Reverb) | menu_setting | 0ms – 99ms | Delays the onset of the reverb tail. Ranges from 0-99ms.282 |
| Pre-Delay (Yetti Reverb) | menu_setting | 0ms – 100ms | Delays the onset of the reverb tail. Ranges from 0-100ms.282 |
| Program (Ursa Minor Echoverb) | menu_setting | — | Selects one of 20 different time arrangements for the 8 delay taps (4 left, 4 right).282 |
| Ratio | menu_setting | — | Sets the amount of gain reduction applied to the signal when it crosses the threshold. Compression mode only.282 |
| Ratio (Squoval Rezonator) | menu_setting | — | Sets the ratio between each filter's frequency in relation to the previous band.282 |
| Recycle | menu_setting | — | When enabled all grains are added to the feedback path for a more diffused sound; otherwise just a single tap is used for feedback.282 |
| Reflects | menu_setting | — | Enables reflecting of any bands that cross the Max Frequency threshold.282 |
| Regen (Digi-PCM Echo) | menu_setting | — | Sets the amount of feedback into the delay buffer.282 |
| Release (TY-50 Dynamics) | menu_setting | — | In compression mode: time to return to original level after being reduced. In shaper mode: shortens or lessens release transients.282 |
| Resonance (Modulating Panner) | menu_setting | — | Sets the amount of filter resonance.282 |
| Resonance (Squoval Rezonator) | menu_setting | — | Sets the amount of resonance for all active bands.282 |
| Reverse (2051 Bit Corrupter) | menu_setting | — | Reverses playback of the buffer.282 |
| Reverse (Digi-PCM Echo) | menu_setting | — | Reverses playback of the delay buffer.282 |
| Reverse (Pocket PL8 Reverb) | menu_setting | — | Reverses the reverb tail.282 |
| Sample Rate (2051 Bit Corrupter) | menu_setting | — | Sets the sample rate of the dry signal.282 |
| Shape | menu_setting | — | Sets the envelope shape of the grains.282 |
| Shift (Freq Shifter) | menu_setting | 0Hz – 1000Hz | Changes the frequency of the incoming signal in Hz. Ranges from 0Hz-1kHz. Frequency Shifter mode only.282 |
| Size (Almicon Reverb) | menu_setting | — | Sets the size/time of the reverb tail.282 |
| Size (Pocket PL8 Reverb) | menu_setting | — | Sets the size/time of the reverb tail.282 |
| Size (Quaidra Reverb) | menu_setting | — | Sets the size/time of the reverb tail.282 |
| Size (Yetti Reverb) | menu_setting | — | Sets the size/time of the reverb tail.282 |
| Spray | menu_setting | — | Randomly varies the size of the grains.282 |
| Spread (Multi Phaser) | menu_setting | — | Sets the width of the stereo image. Only applies to stereo mode.282 |
| Stages | menu_setting | 2 – 8 | Sets the number of notches ranging from 2-8 (mono) or 2-4 (stereo).282 |
| Stereo (Pocket PL8 Reverb) | menu_setting | — | Widens the reverb to faux stereo via phase inversion. Includes settings for mild and full widening. When set to off, reverb is mono.282 |
| Stereo (Squoval Rezonator) | menu_setting | — | Shifts the frequency of the bands on right and left up and down respectively to create width. Only available in Stereo mode.282 |
| Tap Level 1 | menu_setting | — | Sets the level of the first tap panned left and the first tap panned right.282 |
| Tap Level 2 | menu_setting | — | Sets the level of the second tap panned left and the second tap panned right.282 |
| Tap Level 3 | menu_setting | — | Sets the level of the third tap panned left and the third tap panned right.282 |
| Tap Level 4 | menu_setting | — | Sets the level of the fourth tap panned left and the fourth tap panned right.282 |
| Tap Mult | menu_setting | — | Sets the time of the second tap as a multiple of the main time. Not used in Mono and Ext Feedback modes.282 |
| Tape Age | menu_setting | — | Sets the age of the tape: increases noise, saturation, drop outs and darkness in the repeats.282 |
| Threshold | menu_setting | — | Sets the amplitude at which the compressor begins to take effect. Compression mode only.282 |
| Tightness | menu_setting | — | Simulates a tighter physical plate dampening the reverb.282 |
| Tilt Filter (TH-30 Distortion) | menu_setting | — | Tilt-style EQ filter applied to the distorted signal, emphasising either high or low frequencies. Wide-ranging.282 |
| Tilt Filter (TY-50 Dynamics) | menu_setting | — | Tilt style EQ filter that sets the region of frequencies detected by the envelope followers. Transient Shaper mode only.282 |
| Time (Crumbular Echo) | menu_setting | 50ms – 999ms | Sets the length of the delay buffer in ms. Ranges from 50-999ms.282 |
| Time (Digi-PCM Echo) | menu_setting | 0ms – 998ms | Sets the length of the delay buffer in ms when Clock is set to internal. Ranges from 0-998ms x8.282 |
| Time (Tape-Tech Echo) | menu_setting | 0ms – 998ms | Sets the length of the delay buffer in ms. Ranges from 0-998ms.282 |
| Time (Ursa Minor Echoverb) | menu_setting | 0ms – 254ms | Sets the length of the delay buffer. Only applies to echo mode. Ranges from 0-254ms.282 |
| Type (TH-30 Distortion) | menu_setting | — | Sets the type of distortion. Options: Soft (analog-style soft clipping, rounds transients), Saturate (clipping with compressed harmonics), Overdrive (clipped signal introduces harsher harmonics), Digital (digital hard clipping, squares off transients), Wavefold (the digital wavefolder from the Tyso Daiko), Nuclear (maximum clipping — squares off all incoming transients), Warm (tube-style distortion).282 |
| Wide (Slinky Reverb) | menu_setting | — | Adds a stereo widening effect to the reverb.282 |
| Wow + Flutter | menu_setting | — | Introduces slight changes to the delay time, adding pitch warble and chorusing to the repeats.282 |